Sarah Smizz

Here For A Good Time, Not A Long Time



Artist / Live-Drawer / [PHD] Researcher / Radiation-Oncology Grad / Collaborator / works in Public Health / Adventurer / Optimist / Creative-methods-campaigner / Photographer / Occasional Designer / Excessive Tweeter / An All Hoper / Practicing Kindness / Re-evaluating Life / Trying to make the world a better, more equal & fun place / Ramen Lover / Trying to remind people that there’s a huge difference between being alive and FEELIN’ alive / Northern Lights Chaser / NYC + Tokyo lover / Loves a colour gradient / Yorkshire Kid / wanna be surfer  / rides fixie / a DMBC Labour Party councillor!


I LOVE meeting new people
so get in touch :
 
smizz.fo.shizz@gmail.com


Chapter New*
/// 2021-


  1. Camp Get Together!

  2. Arty Party in the Park!

  3. Surf dreams

  4. A Local Councillor

  5. Supporting Our Communities


Chapter  2021-2018


  1. Care & Exhaustion (Donx Creates)

  2. RESILIENCE IS FUTILE

  3. Active Withernsea

  4. Giving Voice

  5. Double Agency

  6. Hospital Adventures

  7. Critical Arts in Health

  8. PHUCKUPPERY

  9. Camp Do It Together

  10. Get Doncaster Moving

  11. *Live Drawing Gigs*

  12. Creative Radiotherapy Communication

  13. Positive Deviance

  14. Other cool healthcare projects I’ve worked on

  15. Drawings On The Go


Chapter 2018-2010 

(A Chosen Selection of older works/projects, no date order)

  1. F/O/R/C/E

  2. ReAdvertise

    (Site Gallery Emerging Artist Residency)
  3. POWERnoid

  4. #Class

    (Winkleman Gallery, NYC)
  5. CAKE EVERYONE

    (Previously CAKE Artspace, Sheffield)
  6. CAaD

    (contemporary art as dialogue collective)
  7. Art School inside the Art School

  8. AREA Chicago
  9. Project Biennale

Chapter 2010 & before


  1. Utopian Protagonists
  2. Shadow Cities



Fun Stuff!

  1. I love making Spotify Playlists
  2. I love making Travel Videos
  3. I like to Blog from time to time


Writing
Coming soon
Archive
Old websites


Mark

3. POWERnoid


POWERnoid would be the perfect word to describe my life and art practice. A practice that is both all-world consuming but safely located within locality. My practice analyzes the relationship between what we perceive, and what we assume is plausible.

I re-distribute agency to the individual / collective and critique existing power structures, as such my work could be defined especially close to the idea of institutional critique. I trace the roots of these interests to my working class background, which gives me an affinity to society’s underdogs.

With a suspicious mind I have been concerned with the content of history and how it is circulated. I do this by comparing elements such as folk myths and political campaigning to grass-roots activism with the
cannon of art history. I often make the work in response to spatial and social conditions, whilst exploring environmental idealism. I mine history, it is here that I explore an ongoing love affair with movements organised by groups in order to empower individuals.

This work is  inspired by the works of William Powhida, Deb Solkow, Charles Avery, Olivia Plender, ect. 



Mark