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Sarah Smizz

Here For A Good Time, Not A Long Time


Artist / Live-Drawer / [PHD] Researcher / Radiation-Oncology Grad / Collaborator / works in Public Health / Adventurer / Optimist / Creative-methods-campaigner / Photographer / Occasional Designer / Excessive Tweeter / An All Hoper / Practicing Kindness / Re-evaluating Life / Trying to make the world a better, more equal & fun place / Ramen Lover / Trying to remind people that there’s a huge difference between being alive and FEELIN’ alive / Northern Lights Chaser / NYC + Tokyo lover / Loves a colour gradient / Yorkshire Kid / wanna be surfer  / rides fixie / a DMBC Labour Party councillor!

I LOVE meeting new people
so get in touch :  
smizz.fo.shizz@gmail.com

Chapter New*
/// 2021-


  1. Camp Get Together!

  2. Arty Party in the Park!

  3. Surf dreams

  4. A Local Councillor

  5. Supporting Our Communities


Chapter  2021-2018


  1. Care & Exhaustion (Donx Creates)

  2. RESILIENCE IS FUTILE

  3. Active Withernsea

  4. Giving Voice

  5. Double Agency

  6. Hospital Adventures

  7. Critical Arts in Health

  8. PHUCKUPPERY

  9. Camp Do It Together

  10. Get Doncaster Moving

  11. *Live Drawing Gigs*

  12. Creative Radiotherapy Communication

  13. Positive Deviance

  14. Other cool healthcare projects I’ve worked on

  15. Drawings On The Go


Chapter 2018-2010 

(A Chosen Selection of older works/projects, no date order)

  1. F/O/R/C/E

  2. ReAdvertise

    (Site Gallery Emerging Artist Residency)

  3. POWERnoid

  4. #Class

    (Winkleman Gallery, NYC)

  5. CAKE EVERYONE

    (Previously CAKE Artspace, Sheffield)

  6. CAaD

    (contemporary art as dialogue collective)

  7. Art School inside the Art School

  8. AREA Chicago
  9. Project Biennale

Chapter 2010 & before


  1. Utopian Protagonists
  2. Shadow Cities


Fun Stuff!

  1. I love making Spotify Playlists
  2. I love making Travel Videos
  3. I like to Blog from time to time

Writing
Coming soon
Archive
Old websites


Mark

#CLASS 









On or about February 20, 2010, Jen Dalton & William Powhida transformed Winkleman Gallery, NYC into a think tank for approximately one month, complete with blackboards, work tables, beer*, coffee-makers* and a mini-fridge*. They invited a bunch of awesome artists, educators, curators, critics, art-lowers/haterz, ect ect and active participation in this project - including me!

Our goal was to find answers to such questions as:

*Is contemporary art a luxury commodity for the wealthy that limits the possibility of ownership, understanding, and access based on class, education and geography? If so, why exactly is that a problem?

*Why do people keep making art (or writing about it, or showing it, or caring about it) even when they don’t ever earn any money from it?

*When/if artists do manage to earn some money from their work, why does it sometimes make them feel queasy to sell their art to wealthy collectors?

* What are some possible viable alternatives or modifications to the current commercial art market system? What’s wrong with Capitalism? Isn’t it great!?

* Ect, Ect.

Find out more here

I contributed with the POWERLESS100 list, and Maps of the Art System to take-away for free whilst participating in some class discussions and activities such as Man Barlett's #24hr Boom & bust
Mark

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